Short Fiction: It Wouldn’t Be Right

A fateful interview could be the start of a new life… or the end of one.

Last summer, my multi-talented friend Dalya (check out their new project here!) suggested that I sign up for Forest & Fawn‘s Faerie-themed writing challenge with them. I’ve always had trouble with fiction because whenever I tried, the result was never something I’d have liked if someone else wrote it. I re-read my own nonfiction work all the time to see how I’ve evolved, or if I still believe what I used to.

But I was in a bit of a creative slouch, and Dalya was very convincing, so I gave it a shot. If I didn’t win, they’d never publish it and nobody would ever see it. I didn’t win, but I was shocked at how much I enjoyed the process, and how connected I felt to the final result.

The maximum length was 2,000 words, and the story had to include:

  1. The first and last sentence must be “Nothing is/was as it seems/seemed.” 
  2. A character notorious for breaking things.
  3. A message in a bottle.
  4. The story must be within the sub-genre of FAERIE: the story must center around Fae Folk.

When I wrote the story – no doubt a result of the Dalya connection, who always challenges people to hold space for the grey in other people – I had in mind someone specific. This person was once what you might call “fine.” Reasonably intelligent, nothing loathsome about him, but nothing remarkable either. Someone who was never externally or internally challenged, just living by default, who one day began spouting some horrendous stuff. Nothing about the narrator in this story describes him directly, not his personality or his life story, but I was imagining the same sort of “by default” guy who was caught in a pattern that exploited his undeveloped ability to think critically. He’s smart enough to figure out what’s wrong but chooses passivity. This story is set at the very last moment when the option to channel his alienation into self-development, insight, or personal growth was still available.

(I’ve since been laid off, so re-reading it now, there’s also the question of how much of myself will I give away in pursuit of stability.)

Looks like I can’t turn off critic mode, I’ve just analyzed the story before you’ve even read it. Here it is!

Continue reading “Short Fiction: It Wouldn’t Be Right”

‘Eliso’ (1928), ‘Cruising’ (1980), and an update on RGFC 100 project

Films:
Eliso (ელისო) 1928, dir. Nikoloz Shengelaia
-Viewed Mon 9/26 at Harvard Film Archive, 35mm, live musical accompaniment by Robert Humphreville
Cruising 1980, dir. William Friedkin
-Viewed Tue 9/27 at Somerville Theatre, 35mm

With over a year since the last post, I think it’s time to correct this blog’s identity crisis.

Continue reading “‘Eliso’ (1928), ‘Cruising’ (1980), and an update on RGFC 100 project”

Russian Guild of Film Critics 100 | 1950-1959: The Thaw

The Cranes are Flying

My entry into professional writing was reviewing the American Film Institute’s “100 Years…100 Movies” list for DigBoston. Now I’m doing the same with the Russian Guild of Film Critics’ equivalent list found here. Rather than review each film, I’ll be recapping each decade.

I’ll also include the burrito I ate while collecting my thoughts. Welcome to BurritoAndAMovie.com.

Films:
The Forty-First (Сорок первый) 1956, dir. Grigori Chukhrai
Spring on Zarechnaya Street (Весна на Заречной улице) 1956, dir. Felix Mironer, Marlen Khutsiev
Carnival Night (Карнавальная Ночь) 1956, dir. Eldar Ryazanov
The Cranes Are Flying (Летят журавли) 1957, dir. Mikhail Kalatozov
Fate of a Man (Судьба человека) 1959, dir. Sergei Bondarchuk
Ballad of a Soldier (Баллада о солдате) 1959, dir. Grigori Chukhrai

Burrito:

Duck burrito with tater tots from Five Horses in Davis Square, Somerville, MA. They’re back open, though this doesn’t seem to be on the menu right now.

Pic taken December 2020. Hey, sometimes these decade retrospectives take a while from start to finish.


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2020 Griefbinging

For the first time in a decade of film journalism, I don’t have a year-end best of list. The short explanation is that I didn’t watch enough movies for an informed slate. The longer one is that in September of 2019, my mother- and father-in-law welcomed me into their family. Less than a year later, in the early months of the COVID-19 pandemic, we were saying goodbye.

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Russian Guild of Film Critics 100 | 1940-1949 (and honorable mentions)

My entry into professional writing was reviewing the American Film Institute’s “100 Years…100 Movies” list for DigBoston. Now I’m doing the same with the Russian Guild of Film Critics’ equivalent list found here. Rather than review each film, I’ll be recapping each decade.

I’ll also include the burrito I ate while collecting my thoughts. Welcome to BurritoAndAMovie.com.

RGFC films:
Mashenka (Машенька) 1942, dir. Yuli Raizman (YouTube)
Dream (Мечта) 1943, dir. Mikhail Romm (YouTube)
Ivan the Terrible (Иван Грозный) 1944 (Part I) & 1958 (Part II), dir. Sergei Eisenstein (Criterion Channel [subscription required])
Cinderella (Золушка) 1947, dir. Nadezhda Kosheverova, Mikhail Shapiro (YouTube)

Non-RGFC films:
The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (Необычайные приключения мистера Веста в стране Большевиков) 1924, dir. Lev Kuleshov (Kanopy)
Man with a Movie Camera (Человек с кино-аппаратом) 1935, dir. Dziga Vertov (Kanopy)
By the Bluest of Seas (У самого синего моря) 1936, dir. Boris Barnet (Kanopy)

Burrito:

First burrito of lockdown: steak burrito grande from Tenoch. I started this draft in March but some stuff’s been happening since then, y’know?


Continue reading “Russian Guild of Film Critics 100 | 1940-1949 (and honorable mentions)”

Russian Guild of Film Critics 100 | 1930-1939

My entry into professional writing was reviewing the American Film Institute’s “100 Years…100 Movies” list for DigBoston. Now I’m doing the same with the Russian Guild of Film Critics’ equivalent list found here. Rather than review each film, I’ll be recapping each decade.

I’ll also include the burrito I ate while collecting my thoughts. Welcome to BurritoAndAMovie.com.

Films:
Road to Life (Путёвка в жизнь) 1931, dir. Nikolai Ekk (YouTube)
Outskirts (Окраина) 1933, dir. Boris Barnet (Kanopy)
Chapaev (Чапаев) 1934, dir. Sergei Vasliev, Georgi Vasiliev (YouTube)
A Severe Young Man (Строгий юноша) 1934, dir. Abram Room (Wikimedia)
Jolly Fellows (Весёлые ребята) 1934, dir. Grigori Aleksandrov (YouTube)
The Youth of Maxim (Юность Максима) 1935, dir. Grigori Kozintsev, Leonid Trauberg (YouTube)
Happiness (Счастье) 1935, dir. Aleksandr Medvedkin (Kanopy)
Alexander Nevsky (Александр Невский) 1938, dir. Sergei Eisenstein (YouTube)

Burrito (last one pre-isolation):
Steak Burrito Grande, Herrera’s, Boston, MA


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Kristofer Jenson’s 2019 BOFCA Ballot

There’s a lot to love about the way we in the Boston Online Film Critics Association choose our annual BOFCA Award winners. Ranked voting (which, ahem, would be one positive step toward fixing democracy), a Top 10 list where beloved non-winners still get represented, and the satisfaction of boosting what we all know should win (e.g. You Were Never Really Here) instead of what we all know will win (that other movie).

To see this year’s winners, click here. Here’s my 2019 Boston Online Film Critics Awards ballot.

Burrito: Steak burrito grande, Felipe’s, Cambridge, MA (2019, dir. J.J. Abrams)

BEST PICTURE

1 – THE NIGHTINGALE*
2 – PARASITE
3 – LITTLE WOMEN
4 – ONCE UPON A TIME… IN HOLLYWOOD
5 – UNCUT GEMS
6 – US
7 – THE FAREWELL
8 – THE IRISHMAN
9 – MIDSOMMAR
10 – IN FABRIC

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Russian Guild of Film Critics 100 | 1917-1929

My entry into professional writing was reviewing the American Film Institute’s “100 Years…100 Movies” list for DigBoston. Now I’m doing the same with the Russian Guild of Film Critics’ equivalent list found here. Rather than review each film, I’ll be recapping each decade.

I’ll also include the burrito I ate while collecting my thoughts. Welcome to BurritoAndAMovie.com.

Films:
Father Sergius (Отец Сергий) 1917-1918, dir. Alexandre Volkoff, Yakov Protazanov (YouTube)
Strike (Стачка) 1925, dir. Sergei Eisenstein (Kanopy)
Battleship Potemkin (Броненосец Потёмкин) 1925, dir. Sergei Eisenstein (Kanopy)
By the Law (По закону) 1926, dir. Lev Kuleshov (Kanopy)
The Overcoat (Шинель) 1926, dir. Leonid Trauberg, Grigori Kozintsev (YouTube)
Bed and Sofa (Третья мещанская) 1927, dir. Abram Room (Kanopy)
The House on Trubnaya (Дом на Трубной) 1928, dir. Boris Barnet (Kanopy)
Storm Over Asia (Потомок Чингисхана) 1928, dir. Vsevolod Pudovkin (Kanopy)
Fragment of an Empire (Обломок империи) 1929, dir. Fridrikh Ermler (YouTube)

Burrito:
Carne Asada, Tenoch, Somerville, MA


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‘Doctor Zhivago’ Book vs. Movie

Imagine being the one responsible for going through Boris Pasternak’s Doctor Zhivago and mapping it out chronologically. I do not envy that person’s job.

Originally ran on The Jensonian.


THE FILM
Doctor Zhivago (1965)
Directed by David Lean, screenplay by Robert Bolt
Omar Sharif as Dr. Yuri Andreyevich Zhivago | Julie Christie as Lara Antipova | Geraldine Chaplin as Tonya Gromeko | Rod Steiger as Victor Ippolitovich Komarovsky | Alec Guinness as Yevgraf Andreyevich Zhivago | Tom Courtenay as Pavel Antipov / Strelnikov | Klaus Kinski as Hey That’s Klaus Kinski

THE BOOK
Doctor Zhivago (1957)
Written by Boris Pasternak

Continue reading “‘Doctor Zhivago’ Book vs. Movie”